Hailed by The New York Times and The Washington Post for her “absorbing,” “fresh and idiomatic” performances with “a brawny vitality,” Wendy collaborates closely with a wide range of composers and presented the U.S. premieres of Kaija Saariaho’s Vent nocturne, Roberto Sierra’s Viola Concerto, and a fully-staged version of Luciano Berio’s Naturale. Upon hearing her interpretation of Berio’s Sequenza VI, The Baltimore Sun commented that she made “something at once dramatic and poetic out of the aggressive tremolo-like motif of the piece.”
Though best known for her interpretations of contemporary music, Wendy enjoys performing a diverse range of repertoire. She regularly performs with NYC’s Orpheus Chamber Orchestra and has collaborated with fortepianist Malcolm Bilson, the Claremont and Prometheus Trios, and members of the Cleveland, Juilliard, and Takács Quartets. She has also been a frequent guest with the viola sections of the Atlanta Symphony, Minnesota Orchestra, and St. Louis Symphony.
Wendy is currently on the string faculty of New York University (NYU Steinhardt), where she teaches viola, chamber music, and a class on extended string techniques. She has also held teaching positions at the University of Tennessee, University of Alabama, and Cornell University, as well as NYU Summer Strings, Walden School Summer Young Musicians Program, Sewanee Summer Music Festival, and Music in the Mountains Conservatory.
Wendy graduated from Oberlin Conservatory (BM), New England Conservatory (MM), and Eastman School of Music (DMA). She studied viola with Carol Rodland, Kim Kashkashian, Peter Slowik, Jeffrey Irvine, and Sara Harmelink, and voice with Marlene Ralis Rosen, Judith Kellock, and Mary Galbraith. Through her vox/viola project, loosely inspired by Giacinto Scelsi’s Manto III, she has commissioned numerous composers to write pieces in which she sings and plays simultaneously. Wendy’s debut album, vox/viola, is slated for 2019 release on ICE’s TUNDRA imprint on New Focus